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At this point, where the Count had forced mate in his grasp, something happened which even now I do not fully understand. Was it the garlic on the breath of the peasant who leaned across the table to peer at the position on the chessboard? Was it the tiny crucifix around the neck of the white king (painted there by van Helsing?) which only now did Dracula in horror espy? Was it the morning's first ray of sunlight gleaming in through the shutters? We shall never know. Stein-Münster sat staring at his position in despair. Suddenly a look of sheer terror crossed the face of my host. The Count rose to his feet, and as he stood he disappeared. In his place there was a shimmering vortex of dust, almost opaque at first but then becoming increasingly transparent as the dust passed through a crack in the casement and out into the cold night air. I threw open the shutters, but all that could be seen was a large black bat flying at a great pace over the Borgo Pass. Soon it disappeared from view, heading in the direction of Castle Dracula. A wolf howled. Hardly believing his luck, Stein-Münster played 38 Kg4

A vampire's physical appearance is governed mainly by the host prior to infection. The virus first sheds those human traits that are obsolete to the Strigoi life cycle; Hair and fingernails are gradually lost, while the external nose and ears atrophy, leaving a fully matured vampire's skin as smooth and featureless as marble. The vampire's complexion is extremely pale between feedings, but appears a flushed red following a recent blood-meal. Eye coloration consists of a black pupil surrounded by a red sclera, with a white nictitating membrane sliding across for protection. Curiously, despite losing appendages and organs that are of no use, vampires develop sharp fangs that replace their original teeth, these fangs would be redundant as their primary feeding method is through the use of their stinger.

In "The Banquet of Blood!" by Alex Blum, the Angel tangles with the undead. I found it disappointing that the story deals with this guy and not (dare I say) the greatest original X-Man. The Angel of the 1940s was detective Tom Halloway. Tommy compensates for his lack of superpowers with a serious case of Cape Envy that causes him to dress up like a costumed adventurer. When he attempts to free a girl from a vampire attack, the vampire captures him and brings him to a castle. In a scene not too far from Madonna's "Justify My Love" video, the vampire drags Angel through his castle's halls and throws the hero into a room full of shirtless dudes chained to pillars. Our protagonist eventually frees the scantily clad captives. They assist him in finding and burning the vampire's casket, ending the supernatural threat.

In the second half of the century of war between the Cyberons and the Earth Alliance, the Alliance began to gain an advantage on the Cyberons, having discovered the effectiveness of bastic bullets against them. Over a nex few decades, multiple planets were retaken, (AUDIO: Curse of the Cyberons) with even the original Cyberon homeworld being destroyed in 2989 along with the Cyberon King. (COMIC: Before the Storm) However, this was a pyrrhic victory as the retaken planets had, without exception, been ravaged and turned into lifeless mechanical wastelands. Humanity failed to press its advantage to a full victory, and were desperate for a further edge against the Cyberons, leading to frantic black-ops scientific research. 2b1af7f3a8